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Someone can own it, keep it or resell it to another collector. That means the NFT behaves - in the eyes of a new breed of collector, anyway - somewhat like a physical piece of art. It is essentially impossible to duplicate. Langlois’s NFT contains data that points to a copy of “The Sailor” online, as well as data about who currently owns the NFT.
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NFTs are digital files created using blockchain computer code, much like the code that makes Bitcoin possible. He’s selling what’s called a nonfungible token, which to its owners represents a unique relationship with the artist and the art. Langlois isn’t really selling the digital art, though. “The Sailor” manages to look both unsettling and whimsical.
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Then he used animation software to add motion: The brain gently pulses, the eyes blink and blink.
Langlois drew most of it on his iPad, curled up on the sofa in his living room during his first days in Seattle. The work he was selling on the day I visited, “The Sailor,” depicts a huge-headed figure, its brain exposed like a mound of pink beef its two eyes look as if they are cut from magazine pictures, a common motif in his portraits, and a paper-boat hat perches jauntily on its head.
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Langlois creates surrealist digital pictures and moving images, often grotesque, cartoony portraits - faces with dripping tears and exposed skin - that channel his darker emotions. Making so much in a day was “just weird.” “My family, they don’t have money, and everyone always had two jobs and lived in terrible parts of California and came from El Salvador,” he said. He rented a house near downtown, which he stocked with art supplies, a Keurig coffee maker and a set of dumbbells (as yet unopened). He became a full-time artist he came out as trans. A year ago, he was a broke high school student, living unhappily in his grandparents’ house in Las Vegas, where his grandmother would peek into his bedroom and, he says, dismiss his huge pile of acrylic paintings and colored-marker drawings as “ugly.”īecause he had been selling his art on websites like SuperRare since the summer before, by New Year’s Day 2021 - the day he turned 18 - Langlois had enough money to move out, and he headed for Seattle. (“I decided that because I had this upbringing where people were really mean, I was going to be the nicest person I could be.”) As he watched the bids onscreen, he giggled nervously. Langlois has an earnest, almost unsettlingly sweet affect that’s a conscious choice, he told me. He only scrambled to check the bidding when a fellow artist pinged him: “Guess who got a $60,000 bid?” He had slept in, after a long evening hunched over his iPad making more art.
Langlois was initially unaware of this remarkable news. The two bidders pushed the price up and up, until by noon it reached $67,905.92. But the sum jumped when another bidder, offered 18 ETH, or roughly $33,000. That meant had offered $24,000 for Langlois’s artwork. A single unit of Ether can be worth a lot: The day of the auction, 1 ETH was equal to $1,600. 7, on the auction site SuperRare, when an art collector called offered Langlois 15 ETH for his digital painting “The Sailor.” ETH is short for Ether, a cryptocurrency much like Bitcoin. The bidding war began a day earlier, on Feb. As the numbers rose, Langlois nervously pulled his beanie off and on, running his hands through his poofy black hair. The room’s window had been covered with cardboard to keep things dark, and a string of blue LED lights shone down from the ceiling. Langlois - known by his art name FEWOCiOUS, or Fewo, to his friends and fans - was dressed in a white hoodie that he had designed, its arms covered in his own psychedelic art, including an eyeball and sunflower afloat in a blue sky. It was not quite 4 in the afternoon, and Victor Langlois, an 18-year-old cryptoartist, was at his desktop computer, watching a frenzied bidding war between two art collectors.
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